Monday, 30 November 2020

Her departure

Her departure (small fiction)

 

It got to a point where he wanted nothing complicated should happen… even in those TV serials.. the ones you know, set in small towns in places like Vermont or Narkanda or Harsil, mountains and streams flowing from them, a few shops and a bar (or equivalent) and lots of gossips. Strangers attracted to each other in the town. The “background-plot-situation-resolvement” theme of drama life replicating real life.. no, no – he did not want strangers to meet. Or let them meet but let the mountains snow, let streams be not devoid of fishes or changing to ice slabs jostling in winter for a stream of flowing, liquid winter sun in their veins. Let the Bar signs flicker the same way, let the radiators not work for days when there is a winter powerline snap. Something should not change, he muttered, as he lay in the bed. The plot of changes in life no longer cut it for him. She gone like meander of cranes that graced this open land and lake each summer.

 

Must be three days in a row – not being out of the bed – sun crumbling through the white curtains, down disappointed each eve. The smell of the air never lies. It is chilly; from experience (and a bit of intuition), he knows that the Apple trees should be out blossoming, the last bus from Uttarkashi to Gangotri would be gone, only a newspaper fan, its driver Sulaimaan, would be out (due in an hour) picking sims and bartering cigarettes for JCOs posted in remote mountains that his van swings through.

 

If the day would just end  and no one calls or notices his being or passage. Let the glass sills freeze, and birds return disappointed from other side of the glass, having lusted for the sweet nectar of flower by his bed. He does occasionally get up and stumbles to get his coffee. This morning, he wanted to hear some violin (may be “Autumn from the four seasons”), smoke a cigarette (its red wedges burning slowly towards him, a phoenix leaving ashes on its wake), may be sit alone watching the lake glimmering to morning sun. They had this thing and now he has it, but it is never the same, is it, once someone departs? Why do things change, and can’t continue without plots and twists?

He wonders will sheep still gather by winter dusk in the evening in the long banks of Bhagirathi flowing in trickles this winter? He is warm in his place, and he is crying this heart out, but he has not forgotten the herders, their coat stitched-half stitched and worn-out- and dirty from yesterday’s rain fury, alighting a beedi with a wet match, their guttural sound calling sheep to bank, their shouts of greetings to other fellas.

Tomorrow, there will be a small time in the evening when they will celebrate Karthigai Deepam in his beloved Tiruvannamalai (the mountain is the flame, as Ramana said), but today, he is just surviving…





Thursday, 26 November 2020

Her Leaf, Her ways of the World

Her Leaf, Her ways of the World
One, complete-in-itself, nature's fabric on another, amidst the lap of Nakuchia taal, amidst maggie packs and chai wallas, amidst mockery of crowd and spider-threaded abandoned wooden boats..amidst water-laden skies..fractalled, mandalrot-setted, nature symmetry-superimposed, perfect in camouflage of Autumn seasons, perfect in colors hued and hissed and spewed and fed and transitioned, perfect in slow amalgamation of red into orange, perfect as Christmas trees are, perfect as all decaying sentient beings are, in their loneliness, in their graves, perfect as a sunshine on rocks in a roaring dark cloudy day in hills, when a ray of sun-burst is hope, perfect in its brevity and fragility and early disintegration, and amidst the despair of quiet passage, perfect in its confidence that more will come, that Earth and sun and her tree mother will laden earth with thousands of her clones, that insects will roll in, that birds will gather as nests, that her own frail body will disintegrate but launch a thousand new entities.. in free give and take that nature perfected, so quiet and graceful in her solitudinal rhythm.

Prayer

Prayer
Oh sweet lord, is there a place then, let me ask you this,
In your sweet little garland of an Earth and in your naughty herd
Is there a place then, as I was asking my lord,
Where my face won’t matter, where I will be taken in faceless, where it is ok to be poor or ugly or luckless or culprit or ill?
Where, sweet Jesus, if I go and touch a hand or an arm, them would turn my face to the sun and we both will glow in thy name?
Is there a place, I now ask you my savouir, one more time then,
where you could come in, not as redemption, not as resurrection, but as a man of word
And be wordlessly accepted as a man of word?

Those fading shadows of a simple life

Those fading shadows of a simple life
There will be those who will always shine and live by the code of a competitive life. It fuels them, and there are many names to it – some call it a disciplined life, some success, and some power that everyone secretly craves for and never admit to want. I am no one to refute that; in fact, I might have pursued that. But as on date, I am no longer mainstream, and it took years to reach here – from oblivion enforced to reflected glory to now free-will oblivion. This was a long call to reach my ears; my only regret is I kept ignoring it through  blinding city lights and pursuit of happiness (that in themselves were never that). My only regret is that I did not heed or respect it, by hoping it will fade away in this neglect. Every time the splendor of this lone voice stood ignored, it kept silent but never left.
The sea secretly craves for its blind ancestral coacervaetes; the blind sea turtle, all just born, feeble legs still not out of calcium egg shells, hears the primordial call of salty waves and smells the planktons in foamy crests and heads alone to the ocean. It has more courage, willing to disappear into abyss and danger of an unknown world – but the courage it shows, the sand marks it pushes in its hurried bid to rush back are evidence. I lacked that courage for long, but the voice kept travelling with me, like shadows by rail tracks, like sun beams through sugarcane fields. At last, I acknowledge this force, and hope to spend time in its shadows. Oblivion, obliteration – many names given. Thank you so much for that! I appreciate this grace and thank all those who came my way in all manners. Their inclusion weaves the fabric of this brief life and I would have had it no way (though no one controls their destiny).
Edward abbey, Helen and Scott Nearing, Thoreau, Dick Pronecke, Wendell Berry, David Coperthwaite, Harlan Hubbard – All I understand from reading them is that the simpler life is more spaced out and relaxed. That a small boat wafting aimless in the drizzle wind, as free as Beavers building dams, as free as the last rain on the winter mountains, is far better than a glorified life in pursuit of many things. Thoreau wrote that the forest trees are his cathedral, Harlan Hubbard wrote that conscious living is a pursuit of deletions from life, not accumulations.
There is a particular beam of sunlight, at around 7 am each day in winter, that permeates through the upward winding road by the Archery ground at Ranikhet. A large pine tree bathes in its glory next to a church converted to cloth weave center for Army Widows. There is an Oak tree above Rani jheel that awaits the glory of this sunlight reaching it by midday (after the pine tree has let her go). There is a lonely tea stall next to the only Post Office at Kumaon Regiment headquarters at Ranikhet, where, inside the large glass jar, a few Peanut-studded biscuits await my coming. If this Covid situation improves, I would very very very much want to be soaking in them hot thank you so much! Thoreau found it at Walden, sea turtles in ocean, Scott nearing at Maine and Vermont rural farms, - why would I not find that simple life of oblivion now that life is bestowed so freely upon me?

The seed and her savior

The seed and her savior
From the tiniest of the objects, long, soft, or warm, nature creates her symphony of motion and life affirmation activities. Here is what she does, for example. She puts a small entrapment with tiny skin, a pod to hold just two seeds. And then awaits the coming together of the frost and sun (and a brief conundrum of stars too, but let’s not go there yet). If it rains, it will wait. No hurry. If its too hot, ok. Too cold, I can live with that. And when the fine day arrives, she opens forth the two seeds it hid in the pod (like sleeper cells invoking their trigger) and throws them in a spring recoil as far from the tree as it can. Thus the Witch Hazel tree spreads its wings and increases her chance at living.
It is like the trees heard what the Lord said – “some seed fell on the path, some on rocky ground, some among thorns, and could not grow; other seed fell on good soil and brought forth much fruit….”
Why then shall we await this destiny of sorrow or joy, they ask the lord hesitantly, when “with a bit of blessing and nature’s wand upon us, we can invoke where we seek the farther land, how we seek the moors, and what permutation of the sun and rain and the stars will nourish our growth.”
Is it not then moral, nay our prerogative, to seek the happiest circumstances for our growth, and if the opportunity presents itself, and with a bit of work, should we not grow wings and not yet fly, be merry and not yet be unaware of what surrounds us, seek company and yet not let them hamper my shine?
The seeds, progenitors – carriers of genetic code- condensed life, as they fly though the air (just one time for their destiny is earth), seem to ask why await the assigning of happiness that diffuses all around us and that we ourselves can choose and pick and try and be?"

On reading a book with illustrations in childhood

On reading a book with illustrations in childhood
The illustrations I saw in childhood have stayed with me. Phantom punching in Indrajal comics, Mandrake's magical house, James Herriot's Yorkshire Moors and him hurrying to a barn to give birth to a calf, the little girl who dies of cold on a Christmas in Hans Christian Andersen's tale, the hound's crying call in the story, the lone wolf on the snow in jack London's book.
I always wanted to read All Holmes' stories in a walnut grained leather bind, sober and matte- finished, with an etched pipe on the front, smoke lacerations on leather slowly becoming fog on the back leather strap, where the hound is partially hidden, her red eyes staring at you.
I always wanted a minimalist house, like in Chandamama (or in Tamil ambulimama) where husband wife sit in middle of an austere room and a thief is hiding behind a clay pot on the loft.
When it rains in hills, at Ranikhet or Manila or Bhimtal, I would wish the window, which, when opened, would let in branches of a pine tree or neem tree in, like Ruskin bond had, at Maple cottage, having returned in abject poverty from England to pursue a poor but determined writer's life in Dehra...

How birds die..

How birds die...on the road or sky, instantly, without favour or regrets, guided by no force and slave to no man, in flight and in motion...with no past to favour or chance withthem..alone..unaccounted to all kind deeds done and to previous births..hidden..like a tree trunk in the sky or like wind..without regret or pathorsignature..without succession planning or progeny or much agony of loittering around...without leaving a tuft of hair or fig or wing to no purpose...as silent as they come, leaving as silent as one left..unafraid of leaving them all - relations and land and this beautiful Earth that nurtured them..going as one as one that came as a tiny speck..
(A friend wrote why remember death amidst life, as bird soars.I think I am remembering the brevity of life. It's vulnerability, its flickering amidst 2nd law of thermodynamics that entropy will increase. Thus songs of death are about wonderment of life, albeit concealed..)

The Wilting Flower

The Wilting Flower

The wilting flower is a joy to behold too. It had lived a great life of sunshine and breeze and petals that showered pollens to the flirty kisses of bees. It had seen the wondrous growth of forests and touched the bellies of small squirrels standing inquisitively on their hind legs. It has played its glorious innings swaying to evening breeze, shivering to rain drops, looking lovingly to the moon-lit lake so glorious in its solitude.

Some believe that because she is drooping, all her strength is gone and what else could she look at when she looks at vigorous leaping sunflowers but the regret of losing her youth. That is presumptuous. She sees the firming up of vigorous young limbs in others as hers did once, and can feel in her a reinvigoration of her old, natural charm. Nowadays, her petals shrinking, her roots gasping to absorb water, she ends up seeing the earth more than the sky she was born to leap to. But, she would unhesitatingly admit she had a good life. She let a few Petunias grow with her when the wind threatened to uproot them. She and a few friends stood supplying flowers to the nearby temple of Jhula devi near Chaubhatia cantontment. She once brought inquisitiveness and smile to a small child, who was exploring the bushes on her own.

She is old but not gone yet. Not yet written off…the ants still greet her on the way to work. She can still see in the mulch some of her colleagues and knows she will join them soon. She sees the soil matrix from where she can no longer absorb water with sadness but also with gratitude. It’s a good life, it’s a good life, she tells herself. The fulcrum of life and death, where she has been placed as an observer of seasons, she is afraid of and is also glad about. She is tired and sometimes longs to lift her eyes to see the farther off lake as its water shines in midday sun, when everyone naps in the hills. She likes how rain droplets fell with a thud on her upright face, stirring the stamen and stirring her pistil. She knows with age (and hopefully wisdom in this brief stay) that a hung face need not be a gloomy one. Hers is not!

She would like to go on that quiet night before the Devi Pooja starts on hills, when like a lull before the storm, all is quiet. When the moonlight reflects all living organisms in one glow. The transition shadow in which rocks and trees and sleeping rabbits and pine trees are twirled into one consciousness – that is her cue to hit the pavilion running!

Even then, when she was but a sprouting, she was this Seeker. Even in her youth, she would not jostle for space with other flower bunches but would quietly pick a deviant piece of sunlight and grow towards it. What then can be so different in this old age and in this passing, she silently muses, when all this brief life was but a joyful union with mountains and rivers and mother earth and nibbling ants?

What can be taken then from one for whom all was given? 



Thursday, 12 November 2020

Sick on a Winter's day
It’s the bed unmade, its sheet crumpling and brittle, its curving creases like windswept canyons..
Not wanting to brush or bath or face the world but slumber deep to the winter sun, till noon sun warms my closed eyelids, sweet world doing its own thing - peripherals of traffic sounds from road, a prayer bleeds from  the nearby Mosque,
I struggle to the kitchen, face dry and pillow-lined and slept, body arched with ache of a crumbling edifice, heart full of the aroma of coffee on lips, like the longing of a muted mongrel on a hungry winter night on a star-lit street on a deserted Christmas night….
So many things to do - sit straight up watching the Bhim taal slurping light from Sun,  read Rumi this night of desertion, unsuperimpose the Vitrovian man images as a last act of rebelliousness, hear Nusrat stretch Bhairavi as long strands into the abyss of the night, talk to Aladdin about the futility of rubbing the lamp in the land of gold (why why?)..
….but for this bodyache and the silent energy drain of a “waiting for Godot” sneeze, but for the slow headache that slowly rose from ashes of a burning midday, but for the unrequited love that never goes away..
I switch on the light and wear the blanket and set the face mast to the winter sun, imagine the walk of Le Clezio’s people in the “Desert” , but the body has its own language for the sick – one can only stand and watch from the shore; I flip the channels and engross myself with Kramer’s spaghetti make in Seinfeld, with Byomkesh lost in thought in Ray’s Sonar Kela, with Arnold’s T2 scenes, but this is not a night of that ..it’s my day the body reminds…
This is a lonely path at the intersection of despair and pain, fighting pathogens with Cytokline storms, using steroids to suppress T-cells, CBCs and RBC counts, chills and  volcanic fevers, a shout in between..
So, that’s how day after day shall end ..with afterglow of so many things done with mind and distaste of cough rumbling at midnight.
A few more days before the Sun heats up the spaces and I can appreciate the lady selling her Ginger produce to the grocer at Someshwar bazaar…